América Latina Magazine
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Dalton Paula builds a contemporary quilombo called Sertão Negro

Cipó – Huni Kuin Paintings in the MAR Collection

Sara Flores and the pre-Columbian Designs that Encode Indigenous Cosmology and Healing

The Art Circuit in Salvador da Bahia Democratizing Exhibition Making

Xa jun ruk’oxomal qanima – A Shared Heartbeat

A Journey into the Inaugural Museum of Belizean Art

Cyle Warner and the Transformations of Vernacular Caribbean Architectures Across Time

The Indigenous Sci-fi Love Story about the Climate Crisis and the Power of Language: Itu Ninu

The Power of Fabulation in the Black Cinema of Zózimo Bulbul

Fundação Bienal de São Paulo announces the curatorial team for its 37th edition

61st Venice Biennale: National Pavilions

61st Venice Biennale: Arsenale and Giardini

In her artistic practice, the Brazilian artist creates works that explore the forms of stingrays and aquatic topologies. Formally, her work engages with Neo-Concretism, foregrounding the experience of space. By using deteriorated industrial materials, Iahra critiques the promises of progress while constructing ecological fictions.

The Convergence of African and Indian Lives in Kelly Sinnapah Mary’s Paintings

Oscar Murillo: Collective Osmosis

Transforming Memories of State Violence through Poetic Justice

Seed Archives: Celebrating African and Caribbean Design and Culture in London

Frestas – Art Triennial

Sugar Island: A Film that Lays Bare the Colonial Legacies between Haiti and the Dominican Republic

Representing the Desires of the Community in the Work of Jeff Cán Xicay

The Bahamas Pavilion returns to the 61st Venice Biennale after a thirteen year hiatus

Manuel Tzoc: Art as Embodied and Relational Poetry

Peruvian artist Antonio Paucar wins 11th edition of Artes Mundi Prize

Daniela Ortiz: Art as a Practice of International Solidarity

Three Artists Redefining the Human-Plant Relationship in Martinique and Guadeloupe

Group exhibition at MASP brings together more than 200 artists, activists, and social movements from 28 countries. The exhibition explores ecology as a network of relationships between living beings and the world they inhabit, bringing into dialogue the work of communities, territories, and ecosystems.

C&AL’s Highlights of 2025 You Might Have Missed

2025 in Review

Yina Jiménez Suriel and Raphael Fonseca are the artistic directors for Iceland’s Sequences Biennial

MAM São Paulo announces Diane Lima as Curator of the 39th Panorama of Brazilian Art

Bodies in a state of eruption: the performance and metamorphosis of Malu Avelar

MACAS amplía su colección de arte afropuertorriqueño

The Artists Forging Ecological Ties in Female Fugivity and Marronage

Caribbean Sounds: The Connective Possibilities of Radio

Confronting the Absence of Latin America in Conversations on African Diasporic Art

Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism

Third Horizon curates a new Cinelogue program exploring decolonial cinema and liberatory imagination from the Caribbean

The Order of New Arts opens a new cultural space in the United States

Comigo ninguém pode will be the exhibition that represents Brazil at the Biennale Arte 2026

Tadáskía Wins the 2025 K21 Global Art Award

Introducing the C& Cyclopedia

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II

Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal

Esperanza de León: Curating Through Community Knowledge

2nd Bienal das Amazônias

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice

Librería Ireti, Havana, Cuba

Eva de Souza: Textile Experimentation as Poetic Protest

A k u z u r u: Art, Post-humanism and Healing

Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market

I Am Monumental: The Power of African Roots

Flooded Memories

The Entanglement of Migration, Indigenous Peoples, and Colonialism

Roots: Beginning, Middle, and Beginning

Fundação Bienal de São Paulo announces list of participants for its 36th edition

The Spiritual Technologies of Jamaican Maroons

Electric Dub Station: The Return of Tomorrow

Flowing Affections: Laryssa Machada’s Sensitive Geographies

Jesús Hilário-Reyes: Dissolving Notions of Group and Individual

Andrea Chung: Dematerialization to Subvert Commodification

Veronica Ryan: Unruly Objects

The Forgotten Asian Histories of Latin America

Duality as an Invitation to Multiplicity

Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso

What’s Behind Decolonial Movements in Brazil?

MASP inaugura novo edifício

MASF: An Art Museum that Connects Territory and Communities

LGBTQIA+ Diversity Stories

Biophillick: Connecting Ancestries Through Technology

Atlantic Threads

The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin

Ana Pi: Knowledge Does Not Disappear

Celebration and Resistance in Ventura Profana’s Films

MUNCAB inaugura novo espaço dedicado à arte afro-brasileira

C& x NAM Critical Writing Workshop, New Orleans

Imagining perversely with Madeline Jiménez Santil’s Art

HOA Gallery is redesigned as a non-profit initiative

A Call to History

C&AL’s Highlights of 2024 You Might Have Missed

An Afro-Indigenous Reawakening: The Year in Review

Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines

Caribbean Musicality in the Work of Valerie Brathwaite
![The World Tree [El árbol del mundo]](https://cdn.sanity.io/images/t4cb1ejj/production/f07d94db028ff79708848295f1d20765c4e53ab1-780x382.png?q=80&auto=format&fit=max&w=3840)
The World Tree [El árbol del mundo]

A Biennial that relates sound to space and bodies

Bring Home your C& Collectors Box!

38º Panorama da Arte Brasileira: Mil graus

Centered around the lullaby Dodo titit, the exhibition questions how displaced individuals maintain connections to their homeland through their relation to the territory. Tessa Mars creates surreal scenes inspired by Voodoo imaginary, including hybrid beings who represent ancestral guidance and knowledge.

Mercosul Biennial announces artists and spaces for its next edition

Puerto Caribe

The Art of Translating and Vice Versa

Navigating Scarcity, Race and Religion in Cuban Photography

Bienal das Amazônias anuncia curadora de sua segunda edição

Not All Travellers Walk Roads – Of Humanity as Practice

Anaïs Cheleux: Connecting Caribbean Identity Through Photography and Performance

Orgullo Nacional




