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In Conversation

344 ARTICLES
A woman lies on a floor with her arm on a blue suitcase, as blue digital patterns flow below. Abstract black art adorns the wall.

Water is Running: Wura-Natasha Ogunji’s Aquatic Archive

C& Magazine

Pro Helvetia Fieldnotes

Large, dark, spiky, torpedo-shaped sculpture on a gray floor. Behind it, a raised reddish-brown landscape sculpture features dark pools and rocks within a white gallery.

Aggregates of Plunder: Ndidi Dike’s Rare Earth Rare Justice

C& Magazine

Conversations with Elders

A person in white gloves places a black print depicting four abstract blue and black figures into a black frame.

Thenjiwe Niki Nkosi Frames Printmaking As A Relay Process

C& Magazine

C& Artists’ Edition

A dark room with a large screen showing a mirrored video of a woman in a striped shirt cheering, flanked by two tall wooden sound system speaker stacks.

Olukemi Lijadu: Feedback, Friction and Black Atlantic Music

C& Magazine

Film

Surreal image of a purple human figure with a fractured face, flanked by abstract green shapes, overlaid on an orange background.

The Deconstructive Lens of Ngadi Smart: From Drag to Climate Change

C& Magazine

Queer

Mottled light brown and dark brown texture with irregular black shapes.

On Ghosts and The Moving Image: Edward George’s Black Atlas

C& Magazine

Film & Cinema

A bald man with a light beard, wearing a dark patterned jacket, looks directly at the camera while surrounded by lush green foliage.

Igor Simões

People

Afro-brazilian art

Two vibrant, pixelated profiles, rendered in blue and red, face a cowrie shell against an orange background.

On Exile, Amulets and Circadian Rhythms: Practising Data Healing across Timezones

C& Magazine

APRIA Journal

‘To Treat Process with Care and Intention’: Favour Ritaro Carries Forward Important Curatorial Legacies - Contemporary And

‘To Treat Process with Care and Intention’: Favour Ritaro Carries Forward Important Curatorial Legacies

C& Magazine

Feature

Kombo Chapfika and Uzoma Orji: What Else Can Technology Be? - Contemporary And

Kombo Chapfika and Uzoma Orji: What Else Can Technology Be?

C& Magazine

Conscious Codes

In Conversation with Lubaina Himid: The Artist Set to Represent the UK at Venice Biennale 2026 - Contemporary And

In Conversation with Lubaina Himid: The Artist Set to Represent the UK at Venice Biennale 2026

C& Magazine

Identity

Osei Bonsu: A Curatorial Lens on Photography as Identity and Tradition, Counter-Histories and Imagined Futures - Contemporary And

Osei Bonsu: A Curatorial Lens on Photography as Identity and Tradition, Counter-Histories and Imagined Futures

C& Magazine

Post-colonial

Massoud Hayoun: Making Art To Say Things Out Loud - Contemporary And

Massoud Hayoun: Making Art To Say Things Out Loud

C& Magazine

Feature

Odur Ronald: ‘Why is it easier for raw cotton to reach European capitals than for Ugandan people to travel anywhere?’ - Contemporary And

Odur Ronald: ‘Why is it easier for raw cotton to reach European capitals than for Ugandan people to travel anywhere?’

C& Magazine

Multidisciplinary

Pamela Phatsimo Sunstrum: A Dramatic Painted Mystery Investigates Ideas about Women’s Power - Contemporary And

Pamela Phatsimo Sunstrum: A Dramatic Painted Mystery Investigates Ideas about Women’s Power

C& Magazine

Post-colonial

Agape Harmani: Trauma as an Essential Part of Diaspora - Contemporary And

Agape Harmani: Trauma as an Essential Part of Diaspora

C& Magazine

Identity

In the Wake of Dak’Art Biennale 2024: A Momentum for Reflection - Contemporary And

In the Wake of Dak’Art Biennale 2024: A Momentum for Reflection

C& Magazine

Contemporary art

Spaces of Collective Learning, Relearning and Unlearning with Drama Queens - Contemporary And

Spaces of Collective Learning, Relearning and Unlearning with Drama Queens

C& Magazine

Queer art

Faith Ringgold: “I am very inspired to tell my story, and that’s my story.” - Contemporary And

Faith Ringgold: “I am very inspired to tell my story, and that’s my story.”

C& Magazine

Identity

Azu Nwagbogu: “Restitution is not restricted to objects but includes knowledge systems” - Contemporary And

Azu Nwagbogu: “Restitution is not restricted to objects but includes knowledge systems”

C& Magazine

Feature